Roller Derby has been around for years and was a staple of the early days of television. It was similar to its better known counterpart, pro wrestling and was seen on many of the same low powered UHF stations in the same bad timeslots. It had a similar borderline sleazy group of promoters and businessman that was common in the regional territory era of pro wrestling. Roller derby didn’t have the success or popularity that pro wrestling did. There was a serious athletic component to be sure, but the dim witted storylines made pro wrestling look like Shakespeare. The sport does have its own history–most know that the LA T-Birds were the perennial champions of’70′s, and Ann Calvello and Ralphie Valladares had been in the sport forever and were considered legends–but it never really stuck in the public consciousness like the pre-Hulk Hogan era of pro wrestling.
When the original purveyors of the sport quit promoting in the early’80s most thought it was dead and gone until a ‘new school’ of roller derby surfaced on cable TV via the A&E reality series Roller Girls. It featured a local, all-girl roller derby league in Austin, Texas and followed the lives of the players on and off the track. While much of the show dwelled in Lifetime style drama about binge drinking and bad relationships, it was the first clue that many had that roller derby had risen from the dead. A sport that had faded into the lowest level of obscurity had been rediscovered and embraced by an eclectic group of young women. They had kept the same essential format, thrown in a healthy dose of burlesque camp and Varga pin-up inspired glamour and made it into their own vibrant subculture. They changed the competitive format and renamed the competitions “bouts” a la MMA or boxing. The result was a compelling mixture of glamour, toughness and athleticism driven by a healthy dose of punk rock “do it yourself” mentality.
Today, the same sort of league featured on “Rollergirls” had become a full blown cultural phenomenon. There are now literally hundreds of local “roller girl” leagues in the US, many under the auspices of a national organization called the Womens Flat Track Derby Association. Las Vegas has the ‘Sin City Roller Girls’, Portland, Oregon the ‘Rose City Rollers” and Seattle the ‘Rat City Rollers’. There are now groups in not only the larger and traditionally “hipper” cities but also smaller flyover country environs such as Birmingham, Alabama and Omaha, Nebraska and all over Canada, Europe and Australia. Most of the local groups similarly play up the campy retro pin-up/hot rod iconography and everyone involved sure looks like they’re having a good time. Between teams there’s a vibe of good natured competitiveness and camaraderie.
The young women in roller derby have taken what was cast off TV time filler and revived it into their own distaff ‘action sport’. The community that has sprung up around it bears a striking resemblance to the skateboarding or snowboarding subculture. There’s one big difference–in contrast to more male dominated action sports the roller derby circa 2009 is just the opposite–a living, breathing matriarchal success story.
The new generation rollergirls also pay homage to their sports’ pioneers. Many of the individual group websites have sections devoted to the history of roller derby, and the late Ann Calvello–regarded as the Queen of the original Roller Derby–is revered as something of a patron saint. The Texas Rollergirl group featured in the A&E series has renamed their championship the Calvello Cup.
Ross Everett is a widely published freelance writer and respected authority on sports betting odds comparison. He writing has appeared on a variety of sports sites including sportsbooks and sportsbook directory sites. He lives in Las Vegas with three Jack Russell Terriers and an emu. He is currently working on an autobiography of former interior secretary James Watt.
